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Tuesday, August 21, 2018

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Breaking News

Show Review: The Avett Brothers’ Show at Wolf Trap Was Sublime
Watch: Video Premiere of Walter Salas-Humara’s “Come in a Singer”
Show Review: The Blasters Mix Rockabilly and Rock ‘n Roll at Hill Country Barbecue in DC
Just Announced: Lucinda Williams’ “Car Wheels on a Gravel Road” Commemorative Tour in November; Tickets Go On Sale This Thursday
Interview: Amanda Anne Platt of the Honeycutters Gets to the Heart of the Matter on Defining Teamwork and Community
Watch: Premiere of Mia and Jonah’s “Spin as One” Video: Title Track from New Album
Review: Austin Lucas’ “Immortal Americans” Glorifies a Better Tomorrow
Song Premiere: Anthony Geraci’s “Too Many Bad Decisions” From His Upcoming Album “Why Did You Have to Go?”
For Jim Lauderdale, Time Is Relative
Album Premiere: Folk Soul Revival’s Fourth Album is Self-Titled Revival of Small Town Life
REVIEW: Bill Bloomer’s “Jubilee” is Fascinating Songs By A World Weary Character
REVIEW: Jason Eady’s “I Travel On” is Honest Simplicity with Instrumental Depth
Listen: Exclusive Song Premiere by The Jeffrey James Show — “Midnight Train” From Their Upcoming Album “Everywhere”
Show Review: Kaitlin Butts and Flatland Cavalry Provided Impressive Night at OKC’s Tower Theatre
Interview: Austin Lucas on Immortal Americans, Personal Tethers, Adrenaline Spikes and Listening to Music
Listen: Exclusive Song Premiere “Suddenly I’m Single” from Jim Wyly’s “The Artisan”
REVIEW: Lyman Ellerman’s “I Wish I Were a Train” Processes Jaunty Topics
REVIEW: Walter Salas-Humara’s “Walterio” Wraps Truth in Lighthearted Style
REVIEW: Shooter Jennings’ “Shooter” Turns the Mirror on You
REVIEW: Benjamin Jason Douglas’ Fatalistic, Fantastic First World Blues
REVIEW: Dawn Landes’ “Meet Me At the River” Spins Off in New Unpredictable Directions
Poem: Henrietta by Eric Sommer
REVIEW: Robbie Fulks and Linda Gail Lewis’ “Wild! Wild! Wild!” Achieves Most Sonically Pleasing Album Yet
Show Review: Kinky Friedman Bestowed “Kinky-isms” on Adoring Crowd at OKC’s The Blue Door
Show Review: Kevin Gordon Magnifies Everything You Could Possibly Love, at Nashville’s City Winery
Interview: Walter Salas-Humara on New Album, Communities, Revolutions, and Music Formats
Show Review: Amanda Shires Plays Late Set to Packed House at Mercury Lounge in NYC
Exclusive Song Premiere: “Wall” from David Olney’s “This Side or the Other” Confronts Borders
REVIEW: Rayland Baxter’s “Wide Awake” Is His Best Yet
REVIEW: Shemekia Copeland’s “America’s Child” is Rich Vocals, Empowering Songs, Heavyweight Talent
REVIEW: Amanda Shires’ “To the Sunset”: Mama’s Changed That Nashville Sound
REVIEW: Lucero’s “Among the Ghosts” is Southern Rock Grungy Gothic Tales
REVIEW: Jim Lauderdale Double Release Includes 39 Year Old Discovered Recordings
Show Review: Cowboy Junkies’ Played a Swath of Material To Overflowing Birchmere
Show Review: John Moreland and John Calvin Abney in Riversport, OKC Was Magical Waterfront Evening
PHOTOS: John Moreland & John Calvin Abney at Riversport in OKC
Song Premiere: Joanne Shaw Taylor’s “Dyin’ To Know” Marks Tour, Signing with SONY
The Eagles Then and Now & The Ghosts of Americana
REVIEW: Israel Nash’s “Lifted” Synthesizes Americana and Psychedelic Sounds
Show Review: Arlo McKinley Crumbled Hearts at Southgate House Revival in Newport, KY
Show Review: Lori McKenna’s CD Release at City Winery in NYC Felt Like Coming Home
REVIEW: Willie Nile’s “Children of Paradise” is Infectious and Real
REVIEW: Hawks & Doves’ “From a White Hotel” is Kasey Anderson’s Laying Down Some Truth
REVIEW: Peter Holsapple’s “Game Day” is His Getting Back in the Album Game After 21 Years
REVIEW: Boz Scaggs’ “Out of the Blues” Retains Old School Feel
REVIEW: Cody Jinks’ Latest Release “Lifers” Is A Triple Threat In The Music World
Interview: Kasey Anderson on His Band’s New Album, Prison Reform, and Standing For What’s Right
Show Review: Jimmie Vaughan Full-Throttle R & B Revival at OKC’s Tower Theatre
Interview: Peter Holsapple Identifies as an “Omnicana” Musician, Talks About Model Cars, His Concept Album, and the Disappearance of Credits
Interview: “We Can Do Better”: Willie Nile On a Divided Country, His Hope For The “Children of Paradise” and What He Learned Sitting At The Family Table
Interview: Zach Lupetin of Dustbowl Revival on Transcendent Revivals and Crossing Journeys
REVIEW: Hot Buttered Rum’s “Lonesome Panoramic” is Groovy Bluegrass Jams
REVIEW: Squirrel Nut Zippers’ “Beasts of Burgundy” is Melting Pot of Frolicking Influences
REVIEW: Clay Parker and Jodi James “The Lonesomest Sound” is Refreshingly Great Album
Show Review: Yarn Turned Their Subtle Guitar Tones Up at the New City Winery in Washington, D.C.
REVIEW: Lori McKenna’s “The Tree” is Family Tree of Heartbreaking Honesty and Beauty
REVIEW: Heart Hunters “American Eclipse” is Instantly Compelling
Show Review: Tish Hinojosa Honored Requests and Delighted Crowd at Jammin’ Java in Northern VA
Interview: Producer Dave Cobb on History, Teamwork and “Now” As Great Time To Be A Musician
Interview: David Starr on Music vs. Sports, New Album and New Community Awakenings
REVIEW: Cliff Westfall’s “Baby You Win” is Honkytonk, New York Style
On the Mark: Studio Albums and Live Performances
REVIEW: AHI’s “In Our Time” Channels Social Consciousness Through Soulful Folk
REVIEW: Eliza Gilkyson’s New “Secularia” is Spellbinding Testament to the Power of Secular Beliefs
REVIEW: Cowboy Junkies’ “All That Reckoning” Comes Home To Americana
REVIEW: Carolina Story’s “Lay Your Head Down” is Sorrowful Nostalgia
Interview: FAME Studios’ Rodney Hall on Father’s Day and Upcoming New Album “Muscle Shoals: Small Town, Big Sound”
REVIEW: Tish Hinojosa Is New Branch on Austin Folk-Country Tree
Song Premiere: Listen to Chicago Farmer’s “Dirtiest Uniforms” Ahead of New Live Release
REVIEW: Frank Newsome’s “Gone Away With a Friend” is Culturally Significant Hymns
Show Review: Fantastic Negrito and The Guestlist Are Roots Rock Revival at the Opolis in Norman, Oklahoma
REVIEW: The Wild Feathers’ “Greetings From the Neon Frontier” is Harmonious Summertime
Show Review: Dan Baird & Homemade Sin Power Rock at the Hill Country in D.C.
Show Review: Dustbowl Revival Keeps Them Vital at the Hamilton in DC
“Woman Walk The Line”: Belmont Book Award Winner Gives Voice For Women In Country
REVIEW: The Rails’ “Other People” is Blunt and Moving, Wide Perspective
REVIEW: Ray Davies’ “Our Country: Americana Act II” Explains Affair with American Dream
PHOTO REVIEW: Lucero Showcases Old and New Catalogue at Stubb’s Waller Creek Amphitheater, Austin
PHOTO REVIEW: Frank Turner Wows ’em at Clubhouse Austin
REVIEW: The Milk Carton Kids “All the Things I Did” Is Accessible and Subtle
Show Review: Lera Lynn “Played Well With Others” with John Paul White and Peter Bradley Adams this week at the Birchmere
REVIEW: I See Hawks in L.A.’s “Live and Never Learn” is Laid Back California Vibe
REVIEW: Jeffrey Foucault’s “Blood Brothers” Will Make You Smile
Exclusive Song Premiere: Greg Felden’s “When the Change Comes” Appeared on Showtime’s “The Affair” But You Can Listen Here
REVIEW: Lera Lynn’s “Plays Well With Others” is Shared Diversity
REVIEW: Mike Aiken’s “Wayward Troubadour” Features Legendary Friends and Songs of Bard Life
REVIEW: Paul Cauthen’s “Have Mercy” Features Gorgeous Voice On Love and Redemption
Show Review: J.D. Wilkes and the Legendary Shack Shakers Christen DC’s City Winery, Wild Rockabilly Hillbilly-Style
Show Review: Dave Alvin, Jimmie Dale Gilmore, and the Guilty Ones Rock Storytelling Night at the Birchmere
REVIEW: The Mallett Brothers Band’s Vive L’Acadie!” is a Poutine Gumbo
Show Review: Ry Cooder with Band of Intertwining Joy and Mystery at the Birchmere
REVIEW: The Slocan Ramblers’ “Queen City Jubilee” is an Instant Bluegrass Classic
REVIEW: Gene Clark, Still Younger Than Yesterday: “Gene Clark Sings For You” & “The Rose Garden Collection”
REVIEW: Jesse Dayton’s “The Outsider” Mixes Rockabilly, Red Dirt Twang, Kick Ass Guitar
Show Review: Joachim Cooder Plays Uncanny Set at Birchmere
REVIEW: David Starr’s “South and West” is Beautiful, Poetic, Sad, Yet Powerful
Show Review: Justin Townes Earle and Lydia Loveless at OKC’s Tower Theater Could Be Concert of the Year
PHOTOS: Lydia Loveless at Tower Theatre in OKC
REVIEW: Coco O’Connor’s New “This Ol’ War” Packs Emotional Wallop
Show Review: Big Head Todd Entertained Eclectic Audience at OKC’s Jones Assembly
REVIEW: Romantica’s New Release, “Outlaws,” Shows Continued Perseverance
Show Review: Amanda Anne Platt & The Honeycutters Held Crowd Rapt at Hill Country DC
REVIEW: Gal Holiday’s “Lost & Found” is Level, Clear, Amazing
Show Review: John Calvin Abney Playing Best Rock and Roll After Dark at OKC’s Tower Theater
REVIEW: Buck Owens’ “The Complete Capitol Singles: 1967-1970” Capture the Trebly Hits of His Heyday
Show Review: Booker T. Jones Was Hot, Hot, Hot at Pearl Street Warehouse
REVIEW: Chuck Westmoreland’s “Long Winter Rodeo” is Tales by Indie-Meets-Alt-Country
REVIEW: Dave Alvin and Jimmy Dale Gilmore, “Downey to Lubbock” Satisfies Expectations
Review: Karen Jonas New Release “Butter” Marks an Expansion in Style
Review: Neko Case, “Hell-On,” is Truly Unique Adventure to Be Experienced
At The Carter Fold, Appalachia Rising: Jim Lauderdale & The Heart of a Saturday Night
Show Review: American Aquarium Sang Songs of Misguided Youth and Redemption in Oklahoma City’s Tower Theater
Video Premiere: Logan Magness “Don’t Leave Me Alone” is Themes on Perspective
Show Review: Sam Lewis at 3rd & Lindsley Was Laid Back and Funky
REVIEW: Martha Reich’s “Brave Bird” is Stunning and Heartbreaking
REVIEW: Keats’ “Radio Sounds” is Just in Time for Summer
REVIEW: Travelin’ McCourys’ New Release Makes Room For Everyone to Shine
Show Review: Elegant Bettye LaVette Regales the Hamilton in DC
Interview: Ian Moore Talks New Release “Toronto,” “Sling Blade,” and SMASH Musicians’ Healthcare
REVIEW: Will Stewart’s “County Seat” is Missing Piece of Americana Puzzle
Song Premiere: I See Hawks in LA’s “Ballad For The Trees” Sings Praise to Nature
REVIEW: Jason Boland and the Stragglers “Hard Times Are Relative” Combines Traditional and Introspective
Interview: Red Shahan Talks New Album, Texas, and Secret Haunts Across the Country
Interview: NRBQ’s Terry Adams Defines Music’s Spiritual Beauty
Show Review: Indigo Girls Fill NY’s Paramount Theatre With Smiles
REVIEW: Ike Reilly’s “Crooked Love” is Chicago Blues Swamp Rock
Show Review: Luke Winslow-King Gave Blistering Performance at Mercury Lounge
Interview: John Calvin Abney on John Moreland, Scrappy Coyote Pups, Family Advice & Oklahoma Landscapes
REVIEW: Webb Wilder’s “Powerful Stuff” is the Cream of the Crop
Interview: Jerry Joseph on His Non-Profit in Iraq, New Album “Full Metal Burqa,” Gray Areas and So Much More
Show Review: NRBQ’s Legendary “Happy Talk” Tour is a Piece of Americana History
Show Review: Peter Case, This is Your Life
REVIEW: Brent Cobb’s “Providence Canyon” Will Rock Your Americana Soul
REVIEW: Luke Winslow-King’s “Blue Mesa” is Bluesiest Album to Date
REVIEW: Ry Cooder’s “The Prodigal Son” is Incisive Commentary
REVIEW: Beth Nielsen Chapman’s “Hearts of Glass” is Flawless
News: Nathaniel Rateliff Releases Video of “Hey Mama” for Mother’s Day, Upcoming Dates and Appearance on Late Show with Stephen Colbert May 15
REVIEW: Charlie Overbey’s “Broken Arrow” Shoots Straight
REVIEW: Ashley McBryde’s American Anthology “Girl Going Nowhere” is Open Book, Infectious Energy
Video: Skout’s New Video For “These Bones” Acknowledges Vulnerable Side
REVIEW: Leftover Salmon’s “Something Higher” is Something For Everyone
REVIEW: Willie Nelson’s “Last Man Standing” Embraces Life
Show Review: Sarah Shook and the Southern Avenue Band Rocked the DC Wharf Zone Last Thursday
Show Review: Lydia Loveless’ New Songs Get Road-Tested
REVIEW: June Star’s “East on Green” is Unmistakable Poetry, All Americana
Song Premiere: Gene D. Turonis a.k.a “Gene D. Plumber”‘s “Round and Round We Go” is Eclectic, Pretty Folk Song
Interview: Steve Wynn Reissues Solo Albums, Reuniting with Dream Syndicate, Talks the 90’s, Identity, and Americana
Video: The Collection’s “Beautiful Life” Video is Hauntingly Moving
Video Premiere: Jeff Plankenhorn’s “Love is Love” Video is Poignant Display
REVIEW: Old Crow Medicine Show’s New Release is Innovative and Traditional Blend
REVIEW: Bourbon Express’ “Cry About it Later” is Throwback Old-Style Country with a Mirthful Vibe
The Blackbird’s new CD is a Winding Pathway of Hope and Ruminations
Interview: Jay Dee Maness on new album with Lloyd Green, the Byrds, Dukes of Hazzard and Working with Tom Petty
Interview: Peter Rowan on New Album, Carter Stanley, Uncle Pen’s Cabin, and the Old and in the Way Days
REVIEW: Wood & Wire’s “North of Despair” is Country Bluegrass Serious Downhome Fun
Show Review: Eric Ambel & Sarah Borges Provide Unmistakable Rock ‘n Roll Smackdown at Hill Country Barbecue in DC
REVIEW: John Prine’s “The Tree of Forgiveness” is Joyful Celebration of Life with very special guests: Jason Isbell, Brandi Carlile, Amanda Shires
Interview: Janiva Magness on Defining Americana, Trust, and Music as Wind in People’s Sails
Interview: Kenny Roby of 6 String Drag on Stanley Brothers, Growing Up in a Small Town, and Americana Music
Show Review: Squirrel Nut Zippers Bring Carnival Act to the Stage and Wow ‘Em
Show Review: Marty Stuart & the Fabulous Superlatives Provided a Music History Lesson and Mesmerized the Crowd at Birchmere
REVIEW: Blackberry Smoke’s “Find a Light” Provides Compelling Imagery and Enticing Guitar Work
REVIEW: Jeff Warren Johnston’s New Release “Undiscovered Country” is a Soaring Showcase of Austinites
Joe Stamm band releases track “Fetch Me”
Interview: Sarah Shook on Playfulness, Her Favorite Good Cause, and a Touring Tip
Show Review: Bottle Rockets and Marshall Crenshaw Tour Stops to Keep Fans on Their Toes at the Birchmere
REVIEW: Red Shahan’s “Culberson County” Highlights Real Texas Americana with a Song Co-written with Brent Cobb
Interview: John Paul Keith on Memphis Sounds, Dual Albums, and Honesty
Show Review: “J.M.²”, the James McMurtry and John Moreland tour, Delighted Fans in Virginia on Monday Night
Interview: Bettye LaVette on New Album, Bob Dylan, the Drive-By Truckers, and Longevity
REVIEW: Paul Thorn’s New Album “Don’t Let the Devil Ride” a Booming Grooving Masterpiece
REVIEW: Mark Huff’s New Release “Stars For Eyes” is Layered Americana Songwriting
Interview: Andrew Bryant (Water Liars) Waxes Philosophical on New Album, Birds, and Searching for the Meaning of Life
Interview: Jimbo Mathus of the Squirrel Nut Zippers on Beasts of Burgundy, Creepy Weird New Orleans, and the Lost Art of Entertainment
REVIEW: Nathaniel Rateliff “Tearing at the Seams” Will Make Rateliff a Household Name
REVIEW: The Nouveaux Honkies “Loud In Here” Revives Honky Tonk Boogie
REVIEW: Tommy Emmanuel’s “Accomplice One” Smokin’ Hot Fingerpickin’ Duets
REVIEW: Jacob Thomas Jr’s “Electric Sex” is an Electric Awakening
REVIEW: Chris Smither’s “Call Me Lucky” Has a Lucky B Side
REVIEW: Seth Walker’s New Release “Live at Mauch Chunk Opera House” Captures the Live Feel We All Crave
REVIEW: Ned Hill’s “Six Feet Above Ground” is Honest Stories of Life’s Hard Won Victories & Defeats
Interview: Grant-Lee Phillips’ thoughts on Direction, Freedoms, and Songwriter Teakettles
REVIEW: 6 String Drag’s New Release “Top of the World” Punk Americana Gets You Up on Your Feet
REVIEW: GB Roots’ New Release “Tumbleweed” is Wild Western Canadian Americana
Interview: Jim White on “Waffles, Triangles & Jesus,” Magical Realism and the Ephemeral
REVIEW: Whiskey Wolves of the West’s New Release “Country Roots” Roots Rocks Hard
REVIEW: Barrence Whitfield’s “Soul Flowers of Titan” is Radiant and Larger Than Life
REVIEW: Joan Baez “Whistle Down the Wind” Builds Things of Glory
REVIEW: Eric ‘Roscoe’ Ambel’s “Roscoe Sampler” is a Sweet Journey Through Guitar Riffs and Americana Surprises
Interview: J.D. Wilkes Opens Up About Folktales, Drama, and Memphis Style
Interview: Noah Lamberth of Sir Canyon on the Mystique of Los Angeles and the Brand New Album “Ventura Skies”
REVIEW: Brandi Carlile’s “By the Way, I Forgive You”
SHOW REVIEW: Caleb Caudle at Hill Country Barbecue
REVIEW: Erica Blinn’s New Release “Better Than Gold” is Golden
Interview: Todd Park Mohr of Big Head Todd & the Monsters on Songwriting Ingredients, Cultural Cohesion, and Colorado Inspiration
REVIEW: Kellen of Troy’s “Posthumous Release” is Very Much Alive
REVIEW: Darling West’s New Release “While I Was Asleep”
REVIEW: J.D. Wilkes’ “Fire Dream” is a Stunningly Imaginative Celebration
Interview: Szlachetka on new release: “Heart of My Hometown,” and Hometowns Across America
Show Review: James McMurtry and Jason Isbell Rock Baltimore’s Lyric Opera House with Solemnity and Playful Celebration.
REVIEW: Doc Watson’s “Live at Club 47” previously unreleased material
Interview: Pearl Street Warehouse: Intimate New Americana-friendly Venue in Washington D.C.
REVIEW: Ruby Boots’ “Don’t Talk About It”
Show Review: Jerry Joseph & the Jackmormons Rock the “8 x 10” with Ms. Sara
REVIEW: The Wood Brothers’ “One Drop of Truth” is a wonderful gift for Americana fans.
INTERVIEW: Last Chance Records’ Travis Hill talks Arkansas, Net Neutrality, and Small Labels
REVIEW: R. Finn’s “Collecting Trip”
REVIEW: Roger Clyne and the Peacemakers’ “Native Heart”
Kyle Carey:
INTERVIEW: DL Marble talks poetry, Mexico, and his upcoming album
REVIEW: Mary Gauthier’s “Rifles & Rosary Beads”
Review: John Moreland’s “Big Bad Luv”
REVIEW: The Legendary Shack Shakers “After You’ve Gone”

Show Reviews

Show Review: The Avett Brothers’ Show at Wolf Trap Was Sublime

by Glenn Cook August 21, 2018August 21, 2018
Listen & Watch Video Premiere

Watch: Video Premiere of Walter Salas-Humara’s “Come in a Singer”

by Americana Highways August 21, 2018August 21, 2018
Show Reviews

Show Review: The Blasters Mix Rockabilly and Rock ‘n Roll at Hill Country Barbecue in DC

by Mark Joseph Engleson August 21, 2018August 21, 2018
News & Events

Just Announced: Lucinda Williams’ “Car Wheels on a Gravel Road” Commemorative Tour in November; Tickets Go On Sale This Thursday

by Americana Highways August 20, 2018August 20, 2018

Show Reviews

Show Review: The Avett Brothers’ Show at Wolf Trap Was Sublime

August 21, 2018August 21, 2018

Show Reviews

Show Review: The Blasters Mix Rockabilly and Rock ‘n Roll at Hill Country Barbecue in DC

August 21, 2018August 21, 2018

Interviews

Interview: Amanda Anne Platt of the Honeycutters Gets to the Heart of the Matter on Defining Teamwork and Community

August 20, 2018August 20, 2018

Reviews

Review: Austin Lucas’ “Immortal Americans” Glorifies a Better Tomorrow

August 17, 2018August 17, 2018

Show Review: The Avett Brothers’ Show at Wolf Trap Was Sublime

August 21, 2018August 21, 20180

Watch: Video Premiere of Walter Salas-Humara’s “Come in a Singer”

August 21, 2018August 21, 20180

Show Review: The Blasters Mix Rockabilly and Rock ‘n Roll at Hill Country Barbecue in DC

August 21, 2018August 21, 20180

Watch: Premiere of Mia and Jonah’s “Spin as One” Video: Title Track from New Album

August 17, 2018August 16, 20180

Interview: Amanda Anne Platt of the Honeycutters Gets to the Heart of the Matter on Defining Teamwork and Community

by Melissa Clarke August 20, 2018August 20, 20180

The idea of smaller community regrowth and diversification around music makes sense, as a sort of meeting in the middle.

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Interview: Austin Lucas on Immortal Americans, Personal Tethers, Adrenaline Spikes and Listening to Music

August 14, 2018August 14, 20181

Interview: Walter Salas-Humara on New Album, Communities, Revolutions, and Music Formats

August 7, 2018August 7, 20181

Interview: Kasey Anderson on His Band’s New Album, Prison Reform, and Standing For What’s Right

July 26, 2018July 26, 20180

Interview: Peter Holsapple Identifies as an “Omnicana” Musician, Talks About Model Cars, His Concept Album, and the Disappearance of Credits

July 25, 2018July 25, 20182

Interview: “We Can Do Better”: Willie Nile On a Divided Country, His Hope For The “Children of Paradise” and What He Learned Sitting At The Family Table

July 24, 2018July 24, 20182

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For Jim Lauderdale, Time Is Relative

August 17, 2018August 17, 20180

Poem: Henrietta by Eric Sommer

August 9, 2018August 10, 20181

The Eagles Then and Now & The Ghosts of Americana

July 31, 2018July 31, 20180

A Thousand Words: Booker T. at Pearl Street Warehouse in D.C.

July 16, 2018July 16, 20180

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Show Reviews

Show Review: The Avett Brothers’ Show at Wolf Trap Was Sublime

August 21, 2018August 21, 2018
Show Reviews

Show Review: The Blasters Mix Rockabilly and Rock ‘n Roll at Hill Country Barbecue in DC

August 21, 2018August 21, 2018
Interviews

Interview: Amanda Anne Platt of the Honeycutters Gets to the Heart of the Matter on Defining Teamwork and Community

August 20, 2018August 20, 2018
Reviews

Review: Austin Lucas’ “Immortal Americans” Glorifies a Better Tomorrow

August 17, 2018August 17, 2018
Columns My Back Pages

For Jim Lauderdale, Time Is Relative

August 17, 2018August 17, 2018
Reviews

REVIEW: Bill Bloomer’s “Jubilee” is Fascinating Songs By A World Weary Character

August 16, 2018August 14, 2018
Reviews

REVIEW: Jason Eady’s “I Travel On” is Honest Simplicity with Instrumental Depth

August 16, 2018August 15, 2018
Show Reviews

Show Review: Kaitlin Butts and Flatland Cavalry Provided Impressive Night at OKC’s Tower Theatre

August 15, 2018August 13, 2018
Interviews

Interview: Austin Lucas on Immortal Americans, Personal Tethers, Adrenaline Spikes and Listening to Music

August 14, 2018August 14, 2018
Reviews

REVIEW: Lyman Ellerman’s “I Wish I Were a Train” Processes Jaunty Topics

August 10, 2018August 4, 2018

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