Music Reviews: ‘American Cosmic Revival,’ by Christian Parker & Friends, plus the Kennedys and Ned Hill Band

Guitarist and singer Christian Parker and nearly a dozen of his pals, including Earl Poole Ball, Patrick Cleary, and JayDee Maness, are on a mission. They want to expose new generations to the so-called cosmic country pioneered in the late 1960s and early 1970s by acts such as the Byrds, Gram Parsons, and the Flying […]

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Joe Brown in Concert

Music Reviews: George Harrison’s Pal, Joe Brown, plus John R. Miller and Collective Soul

Have you watched Concert for George, the film of the memorial show held on the first anniversary of George Harrison’s death? If you have, you witnessed performances by some of popular music’s best-known acts, including Eric Clapton, Tom Petty, Paul McCartney, and Ringo Starr. But you also saw a prominently featured artist whose name likely […]

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Waterboys_Atlantic Rain

Music Review: The Waterboys’ Excellent ‘Atlantic Rain: The Lost Fisherman’s Blues Recordings’

Fisherman’s Blues, the fourth and best-known album by the UK’s Waterboys, signaled a quantum leap for an already excellent band. The result of three years of studio work, this 1988 LP found the group expanding its focus from alt-rock to embrace country, folk, gospel, and soul as well as traditional Irish, Scottish, and Celtic music. […]

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Pete Ham

Music Reviews: A Tribute to Badfinger’s Pete Ham, plus Graham Parker, the Tasty Kings, and the Claudettes

Pete Ham, who died by suicide in 1975 at age 27, achieved considerable success during his lifetime as the lead singer and a principal composer for England’s Badfinger. The extent of the Welsh power pop musician’s talent has become even more evident in recent years, however, thanks largely to a series of albums from Miami’s […]

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George Thorogood

Music Reviews: George Thorogood, plus Samantha Fish, Sensational Country Blues Wonders!, and Fruit Bats

There’s a reason George Thorogood & the Destroyers’ discography includes more than half a dozen live albums. Their high-octane, sax-spiced, blues-rock works best in a concert setting, where audiences seem to energize Thorogood, and he interacts with them as well as he does with his guitar. The latest recorded evidence of that is on the […]

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