Florence Dore

REVIEW: Florence Dore “Hold The Spark”

Reviews

Florence Dore Hold The Spark

Character studies are the focus of Florence Dore’s 3rd LP (no relation to Charlie Dore, “Pilot of the Airwaves,” “Sleep All Day”). The Nashville-born, Chapel Hill, NC-based Americana artist has quite a cast of musicians adding to the festivities. The music cruises through mists of alt/rock, twangy country-rock, fanciful acoustic rock, ‘60s psychedelic folk/rock with blends that craft a signature Dore style.

Recorded in studios in California, North Carolina & Georgia, the 12-track Hold The Spark (Drops May 1/Propeller Sound/43:51) was produced by Don Dixon (piano), who worked with R.E.M. Based on the reputations of these musicians, I expect a balanced, well-recorded effort since the majority are respected veterans. Hey, no pressure.

Wisely, Florence (guitars/vocals) opens with “Sunset Road,” an appealing Steve Earle-styled roots rocker with attitude in her intonation. She displays wonderful phrasing & the guitars like bluejays fly beside her like a fighter jet escort. Florence asserts herself well. Rickie Lee Jones had a great tune years ago: “Last Chance Texaco.” Ms. Dore displays a similar, memorable, well-realized piece with the pensively melodic “The Worst Mistake/Never Made” — sung excellently.

It’s told with an instinctive punch. Her voice here & with “Hold That Spark” has the same magical Stevie Nicks nasal appeal in the low notes. Her lyrical storytelling is sung with expertise & with controlled emotion. I like her. This is an artist exposing a natural vocal skill backed by superb musicians.

Gutsiness? Yeah, she can stick it to you with the colorful language of “Twelve Great Minds (Department Meeting),” which deserves a cleaned-up version since it’s a strong radio tune. Terrific rocker considering that legendary female vocalists like Grace Slick are no longer open for business. This has R&R current, a punk aesthetic. Yeah. Her voice is closely aligned with the leather & lace of Karen Lawrence’s 1981 rock years with producer Jack Douglas (“Girl’s Night Out”).

“The One You Need” has a smooth, expressive narrative in a Karen Lawrence tone. I didn’t say she sounded like Karen; she follows the same blue-plate special vocal menu. “Butterflies” finds Florence’s vocal fascination all her own. Psychedelic in nature, with a tough-center arrangement. Quite a pleasing showcase.

Highlights – “Sunset Road,” “The Worst Mistake/Never Made,” “Hold That Spark,” “Twelve Great Minds (Department Meeting),” “Abacus,” “The One You Need,” “Butterflies,” “On Empty,” & “Nothing With You.”

Musicians – Jeremy Chatsky (electric/upright bass), Will Rigby (drums/percussion), Chris Masterson (lead/add’l guitars/mellotron/vocals), Jason Wilbur (lead/add’l guitars/mandolin), Mark Spencer (lead guitar/organ on “Abacus”), Gene Holder (electric bass on “Abacus”) with Mitch Easter (sitar), Sam Frazier (rhythm guitar), Peter Holsapple (12-string guitar/keys), Kelly Pratt (horns), Marion Rambler (cello), Libby Rodenbough (violin), Dawn Landes, Robert Sledge, Eleanor & Bonnie Whitmore (vocals).

Enclosed is an 8-page full-color stitched lyric insert. Cover CD image courtesy of Bryan Regan. CD @ Bandcamp & https://www.florencedoremusic.com/

Song Premiere: https://americanahighways.org/2026/04/08/song-premiere-florence-dore-hold-the-spark/

Leave a Reply!