REVIEW: Darrin Bradbury’s “Talking Dogs and Atom Bombs” is the Record America Needs Now

Darrin Bradbury’s Talking Dogs and Atom Bombs, the singer-songwriter’s Anti- Records debut, pulls no punches on its dissection of daily life in American, but Bradbury tempers his cutting insights with a humor and wit, laughing at the absurdity that abounds at every turn. Packing 11 songs into 26 minutes, Talking Dogs and Atom Bombs wastes […]

Continue Reading

REVIEW: Charley Crockett’s “The Valley” Embraces His Inner Texas

On The Valley (Son of Davy) Charley Crockett jettisons the Louisiana in his sound and fully embraces his inner Texas. Gone are the trumpet and accordion replaced by fiddle and pedal steel. With the exception of a few tracks that steal a sensibility, energy, and a saxophone or organ from Motown, Crockett sounds akin to theWestern swingers of old, especially on title track, “The Valley,” and “10,000 Acres.” Two of the […]

Continue Reading

REVIEW: Ana Egge’s “Is It the Kiss” Is Backroad Lilting Country

Ana Egge’s Is It the Kiss (StorySound Records) lets subtle references to country hits of yesteryear set the stage for record ahead: “turning rhinestones into diamonds…dim lights and a bunch of friends, thick smoke on the stage again;” minimal instrumentation and a backroad lilt place Egge solidly within this tradition. The instrumentation through the record is […]

Continue Reading