Memphis Royal Brothers

REVIEW: Memphis Royal Brothers – Self-Titled

Reviews

Memphis Royal Brothers – Self-Titled

This is an interesting release with multiple name performers who add to the curiosity that is this illuminating project. There are 8 tidy soulfully rendered pieces by varied award-winning vocalists on Memphis Royal Brothers – Self-Titled (Drops July 26/Royal Records/40:00) produced by Grammy-Award-winning Boo Mitchell with Richard Bolen.

Bobby Rush
Bobby Rush at the Mississippi Agriculture and Forestry Museum © photo by Bill Steber

While the sonics are modern the mood captured is vintage in soulfulness & bluesy prowess. Lead-off track “Good God I Got the Blues,” as performed by Bobby Rush is high-octane entertainment – dynamic backup singers, a tight groove & the commanding voice of Mr. Rush. Technically, the blues isn’t supposed to be an entertaining genre. It’s about bad things, bad luck, sadness, heartbreak, hard times, unfaithful women & men — but here, the artists elevate each groove into an atmosphere that’s more integrating.

Charlie Musselwhite shoulders his way in seductively with a warm well-nurtured voice & potent harmonica whines on the 5-minute plus “Goin’ South.” It almost sounds like a leftover from the Paul Butterfield Blues Band’s classic “East/West” album from 1966.

The great country singer Jim Lauderdale is joined by the exceptional Wendy Moten on “Brand New Heart” & the material has a vitality that steps away from blues for a moment, but Moten adds the necessary drama along the perimeter of the melody. What a pairing. There’s an essential sweetness to the performance but these two artists know how to percolate. The accentuations on lead guitar by Luther Dickinson are perfectly applied.

Charlie Musselwhite in Memphis Blues Brothers

All songs are inspired, brilliantly arranged & performed. Wendy Moten’s penetrating & striking wherever she appears. The tunes see-saw between blues, country mixed with blues & lots of soul with blasts of dominant horns that splash through your ears like the Bar-Kays (“Soul Finger”) & Arthur Connely (“Sweet Soul Music”). Remember those days?

Soul music isn’t dead here – it simmers on the back burners with tunes sung by Marcus Scott whose adrenaline-driven showcase (“Gimme Back The Keys To My Cadillac,” “Hot Night In June” & “I Fall To Pieces”) reminds me of the fiery performances of the late Jackie Wilson. Nasty good.

Highlights – “Good God I Got the Blues,” “Goin’ South,” “Brand New Heart,” “Gimme Back The Keys To My Cadillac,” “Hot Night In June” & the amazing “I Fall To Pieces.”

Musicians – Bobby Rush & Charlie Musselwhite (vocals/harmonicas), Wendy Moten & Jim Lauderdale (vocals), Luther Dickinson (lead guitar), Marcus Scott (vocals) with the MRB: Gary Bolen (lead guitar), Steve Potts (drums), Rev. Charles Hodges (Hammond B3), Lester Snell (piano), Jackie Clark (bass), Michael Toles (guitar). Horns: Marc Franklin (trumpet/arranger), Kirk Smothers (baritone sax), Lannie McMillan (tenor sax), Kameron Whalum (trombone). Strings: Lester Snell (arranger), Yennifer Correia, Wen Yih Yu & Jessie Munson (violins), Mark Wallace (cello), Jennifer Puckett & Aaron Tubergen (violas).

Color image courtesy of the Bobby Rush website & Charle Musselwhite courtesy of Musselwhite Amusements. CD @ https://www.motherwest.com/memphisroyalbrothers & https://www.deviousplanet.com/memphis-royal-brothers/

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