Adam Faucett

REVIEW: Adam Faucett “New Variations of the Reaper”

Reviews

Adam Faucett New Variations of the Reaper

Arkansas musician songwriter Adam Faucett has a new album, New Variations of the Reaper. This album pays homage to Arkansas throughout, with a darkness and a slow electric guitar energy in songs that were written during Adam’s arduous road to recovery from throat surgery. The resulting album is a battle of fears, interspersed with images of reapers, sometimes the grim reaper, feeling your way in the dark, surrendering to the arms of the one you love, and iconic Arkansas landmarks.

“Anything For Sleep” starts out gentle and then the electric guitar and Adam’s vocals add oomph and a bit of distortion, and that groggy feel of sleep deprivation is conveyed clearly, and then Beatles-esque harmonies and a viola make an appearance. Take together this is a unique style – heavy, classic, dreamlike and doused over with a dose of discomfort.

“Fire Lane” is blurrier and heavier in a tale of what happens when the bar closes and the chair are all upside down: “it’s 4am when you strangers become my kin and we just laugh about the good ol days.”  Next is the track the album was named for, “The Reaper.”  He sings: “I can’t find my way around, I go by feel, I go by sound. I’m well past dreams, I’m well past reason. I know this house just by the ceiling. Am I dead? Or just following through the lives I’ve lived and the ones I have become.”

Adam is legally blind, so songs like this one tap into the universally shadowy experiences of nighttime displacement, only for him it’s a more common experience, and not being able to see holds so much metaphorical potential that Adam can mine freely.

“Carry Me Down the Hill” is a gentler, lovelier plea on piano “save me, wrap me up in your sweetest of words, carry me down the hill.”  “Ouachita Witch” references an Arkansas legend:  “she’s a moonlight slave, she’ll make you walk to your grave…  but I don’t want to live forever, I will walk the straight and narrow for you, I swear.”
Although it’s heavier, Adam sometimes sounds like an early Son Volt, with a touch of Jay Farrar’s vocal style, but blended with a stronger more powerful, distorted and darker Southern rock style baseline. And then his vocals soar up and fan out with an imploring longing. It’s really quite an amalgamated brew. The songs probe heavy thoughts and fears, with a grungy and authentic style.
Adam, it’s also worth noting, is affiliated with the quality grass roots record label Last Chance Records. Find more details and information here on his website: https://www.adamfaucett.com
New Variations of the Reaper was produced, mixed and engineered by Jordan Trotter, and mastered by Justin Perkins at Mystery Room Mastering.
Musicians on the album are Adam Faucett on all vocals, guitars and keys; Jordan Trotter on backing vocals, drums on tracks 1 and 10, and bass on track 8; William Blackart on bass on tracks 1, 2, 3, 5, 6 and 7; Johnny D. on bass on tracks 9 and 10; Chad Conder on drums on tracks 2, 3, 5, 6, 7 and 9; Keith Bracy on drums on track 8; and Annie Ford on viola on tracks 1 and 6.

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