Old 97's

REVIEW: Old 97’s “American Primitive”

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Old 97’s – American Primitive

This alt-country band’s been plying their trade remarkably well for 30 years & this effort is their 13th studio LP. Produced by Tucker Martine, the set features guest appearances by R.E.M’s Peter Buck (guitar/mandolin on 3 cuts) & Scott McCaughey of the Young Fresh Fellows & Minus 5 (piano on “Honeypie”). The 13 tracks cut a vigorous slice through some rowdy melodies & upbeat jaunty ones that include “Somebody,” that lifts a tempting big band/swing tune’s “Sing, Sing, Sing,” tribal beat that’s applied respectfully well to this pop tune.

Old 97's

But the Old 97’s know how to simmer when it’s necessary (“Where the Road Goes”) & still percolate with charming words & melodies. There’s tone, taste & class to spare. Like The Band, Little Feat & maybe even the Bottle Rockets they know their limitations, understand their signature sound & blossom like morning roses bright & aromatic on their wonderfully composed pieces that make up their American Primitive (Drops April 5/ATO Records/41:00).

The music, as always, is consistently exciting & rambunctious. It’s alt-country with a little garage-rock grunge to it, but not too much. The album’s moments capture true roundhouse musical punches through sheer experience, skill & instinct. And what comes through is like when a clever actor improvises a scene with brilliance & elevates the dialogue.

Some songs even resemble a grungier Byrds with their chiming guitar attack (“American Primitive”) & that’s an attractive modern rock recipe. The tune itself is well arranged & driving with drummer Philip Peeples relentless snappy punctuating beats. Coming closer to country inspired charm is “Honeypie.” A touch of country in the way Aztec Twostep used to glide across it briefly themselves (“I Wish I Was In Texas”).

Cruising into noir country darkness with a drizzle of whistling on “By the End of the Night,” & reminiscent of “Man From China,” by Vivabeat the musicians provide an appealing, effective mood-altering subtle drama. Very likeable.

Old 97’s then slide remarkably well into “This World,” — a jangly English pub rock turn ala Rockpile, Brinsley Scwartz/Nick Lowe with its pulsating guitars, whip snap drums & unified vocals. Excellent ear-candy stuff.
The 4-panel CD package is fairly plain though artistic with a single folded insert with credits & images.

Highlights – “Somebody,” “American Primitive,” Where the Road Goes,” “Honeypie,” “By the End of the Night,” “Masterpiece,” “Western Stars” & “This World.”

Musicians – Rhett Miller (vocals/guitar), Murray Hammond (bass), Ken Bethea (guitar) & Philip Peoples (drums) with Jeff Trapp (flamenco guitar/e-bow guitar), Annie Crawford (piano) & Richard Hewett (additional drums).

Color image courtesy of Jason Quigley. CD @ https://old97s.bandcamp.com/album/american-primitive & https://shop.atorecords.com/product/ATCD306/old-97s-american-primitive-cd & https://old97s.com/

Enjoy our previous coverage here: REVIEW: Old 97s New Album “Twelfth” Emphasizes Enjoying the Moment With Nostalgic Tones

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