Todd Snider

Todd Snider: One of One

Todd Snider photos by David Nowels Last week’s news that Todd Snider had died hit me hard. Much harder than I would have guessed. From what I’ve read online—and I’ve read a lot online—that seems to be true for many people. Snider was a real one of one, a singular talent whose songwriting, stories, and […]

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Avett Brothers and Mike Patton

REVIEW: “AVT/PTTN” is  Unexpected Alchemy from the Avett Brothers and Mike Patton

The Avett Brothers and Mike Patton AVT/PTTN In nearly four decades of genre-defying work, Mike Patton has built a career on unlikely partnerships. The Faith No More frontman has collaborated with avant-garde jazz saxophonist John Zorn, classical violinist Eyvind Kang, turntablists The X-Ecutioners, and art-world luminaries like Laurie Anderson and Björk. He’s worked alongside members […]

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Josh Ritter

REVIEW: On “I Believe in You, My Honeydew,” Josh Ritter Makes the Case for Belief—and for Joy

Josh Ritter – I Believe in You, My Honeydew  On his eleventh album, I Believe in You, My Honeydew, Josh Ritter isn’t reinventing himself—he doesn’t need to. What he’s doing here is harder: reminding us why belief itself still matters, and why he remains one of the most essential voices in American songwriting. Where his […]

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Emma Swift

REVIEW: Emma Swift “The Resurrection Game” Where the Brutal Becomes Beautiful

Emma Swift – The Resurrection Game Emma Swift’s The Resurrection Game follows in the tradition of her heroes, singer-songwriters like Sandy Denny and Marianne Faithfull, artists who transformed personal struggle into compelling music. As Swift’s first album of original material, it represents an important and promising step in her artistic development. Swift herself describes this […]

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Rodney Crowell

Review: Rodney Crowell Keeps Driving: Airline Highway Marks a Late-Career High Point

Rodney Crowell Airline Highway Before there was Alternative Country, before Outlaw Country, before Americana, there was Rodney Crowell. The veteran songwriter released his debut album, the now-ironically titled Ain’t Living Long Like This, in 1978 — a decade before Steve Earle’s Copperhead Road, two decades before Lucinda Williams’s Car Wheels on a Gravel Road, and a good thirteen […]

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