Hell-On (ANTI-) marks the first solo project from musical shapeshifter Neko Case in five years, and the dazzling album is well worth the wait. Case, never afraid to take risks, has produced a truly unique record unlike anything else I’ve ever heard. Sonically and lyrically, this album is an adventure you simply must experience. […]
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Deeply felt and deeply moving, To Rise, You Gotta Fall captures and communicates the myriad emotions Bluhm experienced during this turbulent period in her life.
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Listening to the whole album, I feel like I have seen the American landscape set out before me, from the Carolina tobacco farms to Richmond to Oklahoma. Barham’s intelligent, literary songwriting shapes a heartfelt vision of high, abstract ideals through in personal, intimate stories crystallized with poignant, powerful images.
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Bringing it all back home, the singers repeated the verses that have been the bedrock of country music for the past century.
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Wistful, nostalgic tales of misguided youth and the difficulties of redeeming oneself are Barham’s specialty.
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The song plays with the idea of perceptions of oneself through the eyes of another.
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Lewis continued to keep the audience on their toes and his foot on the gas.
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Pulsing, yet sparse instrumentation coupled with hypnotic verses of a quiet yearning spin into the call for something new and the hope that it promises.
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Keats has a new release Radio Sounds and we are really hooked. Produced by Dave Coleman and recorded at Howard’s Apartment Studio in Nashville this album is just as “radio ready” as its title implies, out in time for kicking back at the barbecue this summer. Tony Keats is backed by Brian Pitts on bass, […]
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If this was pasta, this wouldn’t be fourteen small seashell noodles; this would be fourteen stuffed shells.
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